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History of the Camera Part 2

By For the Crew, Uncategorized

History of the Camera Part 2 For part 1, click here.  The importance of this information is in giving you, the new camera production person, background into why things are the way that they are.  We discussed progressive film rate and interlace film rate in part 1. The 1990’s The call was out for quality.  For decades, the television signals and standards stayed exactly the same.  But technology was starting to improve and though the television industry resisted change, eventually it to caved.  Why did they resist?  They have millions of dollars invested in equipment.  You change to HD and all that expensive gear would become garage sale material. But eventually, the call for quality started to overcome the call for everything to stay the same.  Everyone agreed it would be called “High Definition” or HD, compared to Standard Definition…

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dallas video production company

Screenfighting Workshop now March 24-25

By Seminars

Due to several factors, we’ve moved the Screenfighting Workshop to March 24-25 (after spring break for most people).  Doug Williams will be teaching weapons on Saturday March 24 and Steve Krieger will be teaching the fighting and special effects on Sunday March 25. If you’d like to register, go to the SFilms store by clicking here.  If you plan on coming, please do register as soon as possible.  At this workshop, you will learn how to handle weapons like a professional, adding value to your performance on the set.  You’ll also learn some fight basics and learn to perform in the midst of special effects– what can be costly and how to be safe. You can take one class or all four over the two days.  And if you’d like to experience a squib hit at the end of the…

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Serendipitous Films

Screenfighting Workshop – Saving Time on the Set

By Seminars

(We’ve got a workshop for screenfighting coming March 24-25.  Register at the SFilms Store). Experienced & Trained Actors Save Time & Money Early in my directing career, I was casting a day player speaking role on one of my films.  I auditioned the part with some sides that included her lines.  I looked at whether she could pull off the part as an actor.  But I made a mistake.  On the day of the shoot, it was required that she get roughed up a bit– not really a stunt situation– but needed to move a bit and the actor I cast was extremely stiff.  It showed.  It was not pretty. The lesson I took moving forward was not to be so tunneled-vision in the audition. If the part requires the person to take a punch, I might want to see how…

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