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Feb 24
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Screenfighting Instructors

Pizza Mondays

By Seminars

New Seminar Classes! Starting in the spring, we’re having a series of evening seminars covering filmmaking, writing, directing, acting and more.  These will be held on Monday evenings at Serendipitous Films in Fort Worth and will include dinner.  They all start at 6pm and go to 8:30 or 9pm.  All classes are $39.  Seating is going to be limited and also there will be a 5 person minimum.  If class doesn’t make, full amount will be refunded.  Once class is full, we will stop registrations on it.  Register at the SFilms store. Monday March 26 Greenlight Yourself This evening session will cover some basics about how to make your own feature film.  Emphasis will be placed on exact steps to get started, fundraising and the end game– distribution.  We’ll also cover topics like how to get name talent and short…

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Feb 21
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shooting corporate interviews

Editing the Corporate or Documentary-style Interview

By Tips/Techniques

Telling the Corporate Story Many corporate videos today are built around the interview.  Clients, employees, spokespeople are recorded talking about the product or service.  It’s a quick and effective way to tell your corporate story.  This usually involves the video production of shooting an interview (discussed Part 1, Part 2 and Part 3).  What we’re discussing today is the mechanics behind the editing of the corporate interview. How We Shoot Interviews in Dallas First, we like to shoot interviews with two cameras.  Lately, the majority of these interviews are with DSLR’s– they give a very nice, rich look, shallow depth of field and with the speed of the lenses, we don’t need a lot of light to make it beautiful. So after shooting, I will have two different sets of clips and a totally separated audio file.  I use Final…

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Feb 21
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Business Plan

How To Start A Feature Film

By Tips/Techniques

First Steps to Making Your Own Feature Film How do I get started? One of the questions I get asked by new filmmakers is exactly how to get started.  They want to know what their next step is.  Here is an extremely practical, where the rubber meets the road answer to that question. What’s my First Step towards making my feature film? I usually start the answer by asking a couple of clarifying questions.  Do you have a screenplay written?  (If no, then that’s your next step).  It doesn’t have to be polished and locked for production, but needs to be complete.  Do you have any funding?  Usually the answer is no.  Have you set up the entity?  Usually, the answer is a look of confusion. So here goes.  First,you need to have some development money ready and able to…

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Feb 17
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dallas video production company

Screenfighting Workshop now March 24-25

By Seminars

Due to several factors, we’ve moved the Screenfighting Workshop to March 24-25 (after spring break for most people).  Doug Williams will be teaching weapons on Saturday March 24 and Steve Krieger will be teaching the fighting and special effects on Sunday March 25. If you’d like to register, go to the SFilms store by clicking here.  If you plan on coming, please do register as soon as possible.  At this workshop, you will learn how to handle weapons like a professional, adding value to your performance on the set.  You’ll also learn some fight basics and learn to perform in the midst of special effects– what can be costly and how to be safe. You can take one class or all four over the two days.  And if you’d like to experience a squib hit at the end of the…

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Feb 16
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Music Video Production

Music Video Production

By Tips/Techniques

I Want a Music Video Shot One of the services we provide is music video production.  Artists will contact us looking for production services.  The problem comes in trying to determine a quick cost estimate, because music videos can cost as little or as much as you want, depending on how much production value you want.  It’s like asking… How long is a piece of string? Well it depends.  For music videos, how many locations?  How many days of shooting will be required?  What about other performers?  Dancers, extras?  If you want it to look like a concert setting for some of it, now we’re talking about staging and lighting and potentially hundreds of extras.  (Like in this music video from “Rising Stars”)   Production Value Matters Or it’s a concept video, with a variety of locations and actors.  So…

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Feb 14
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OnSite Editing

On Site Editing

By Tips/Techniques

Old Days of Onsite Video Editing I remember in 1997, we offered our big client the ability to do live onsite editing for playback right then at their closing event in the hotel ballroom.  Sure, we had done some betacam editing, linear style in a few rare instances, but this time, we’d be playing back on our relatively new non-linear editing computer.  We had a crew of 8 or so and felt we could do it.  It was scary– the computer had a propensity to crash or to fail and we would not have time to output to tape.  But it all worked that night. In 2000, it had become even more simple.  I took a laptop to a clients event and ingested the tape footage and played back a video– all as a one man crew. On Site Video…

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Feb 12
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Serendipitous Films

Screenfighting Workshop – Saving Time on the Set

By Seminars

(We’ve got a workshop for screenfighting coming March 24-25.  Register at the SFilms Store). Experienced & Trained Actors Save Time & Money Early in my directing career, I was casting a day player speaking role on one of my films.  I auditioned the part with some sides that included her lines.  I looked at whether she could pull off the part as an actor.  But I made a mistake.  On the day of the shoot, it was required that she get roughed up a bit– not really a stunt situation– but needed to move a bit and the actor I cast was extremely stiff.  It showed.  It was not pretty. The lesson I took moving forward was not to be so tunneled-vision in the audition. If the part requires the person to take a punch, I might want to see how…

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Feb 10
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Movement Towards Realism in Acting – Weapons

By Seminars

This is one of the topics we’ll cover in the Screenfighting Workshop on March 24-25.  This material will be covered in class 1 on Feb 18 “Weapons 1.”  If you want to register, go to the store. Bad Guys From Above The Hollywood cliche of the cop turning the corner with the pistol pointed up in the air is disappearing.  The “tea-cup” grip is rightfully becoming rare.  Not as rare are the bottomless magazines, but many filmmakers are spending more time to make their weapons sequence more closely resemble real life.  The Hollywood types are hiring real life consultants to make sure it’s done the way it really would be done. Real Law Enforcement officers and military don’t point their weapon in the air unless there’s a threat from up there.  Why?  Because it has been proven (many years ago)…

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Feb 09
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Weapons Master Doug Williams talks about Pistols

Screenfighting Workshop

By Seminars

Hands-on Screenfighting Workshop! On March 24-25, the Screenfighting Workshop will take place at S Films in the Studios121 building, 6125 Airport Freeway, Haltom City, TX.  To register, go to the store.  There are four classes at $49 each or take all four for $155.  If you take the special effects class, you can add a squib for $35 (this is where we’ll place a squib on you and you’ll experience what a bullet hit on screen is like). Saturday, March 24 Weapons 1 – Doug Williams Instructor – 8:30 to 12 noon In this class, basic handling of pistols will be covered, with emphasis on the Law Enforcement techniques.  You will have hands-on experience with real weapons and will learn firearm safety, set etiquette with firearms, how to properly carry, present and fire the pistol.  The goal if this class is to…

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Feb 02
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Screenfighting Instructors

Meet Screenfighting Instructor Steve Krieger

By Seminars

He blows things up for a living. And he floods things, sets things on fire and smokes things.  If you need a gag on camera, you call Steve.  Steve has been a stuntman.  He is an actor.  But his day job is Special Effects Coordinator. Some of Steve’s SFX credits include: Necessary Roughness, Bonnie & Clyde, Captain Ron, A Promise Kept, A Killer Within, Living and Dying, and work on shows like Walker, Texas Ranger and Wishbone. The way it works is that Steve is sent the script and he goes through it, tagging what might be on-camera special effects (different than computerized “visual effects”).  If the script reads “it explodes” or “his body is riddled from the bullet hits,” Steve takes note and starts preparing. In one of the Serendipitous Film’s movie (“Striking Range” with Lou Diamond Phillips), Steve…

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